Volume 5, Issue 2
December 2017
Characteristics of Professional Pianists’ Psychophysiological Responses and Playing Time during Concerts
Bannai Kurara, Imanishi Taira, Oishi Kazuo
International Journal of Music and Performing Arts, 5(2), pp. 1-7 DOI: 10.15640/ijmpa.v5n2a1 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a1 |
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The Role of Critic: Reflections on Contemporary Dance Art
Nolan Dennett
International Journal of Music and Performing Arts, 5(2), pp. 8-14 DOI: 10.15640/ijmpa.v5n2a2 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a2 |
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Compositional Processes of Xylafrique: A Contemporary Art Composition based on the Dagaaba gyil of Ghana
Emmanuel Obed Acquah1 & Emmanuel Boahen
International Journal of Music and Performing Arts, 5(2), pp. 15-32 DOI: 10.15640/ijmpa.v5n2a3 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a3 |
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Stylistics of the Amateur String Instrumental Ensembles in Modern Ukraine
Natalia Chystiakova
International Journal of Music and Performing Arts, 5(2), pp. 33-38 DOI: 10.15640/ijmpa.v5n2a4 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a4 |
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Samuel Beckett and a New Form of Dialogue
Majid Sarsangi, Hamed Soleimanzadeh
International Journal of Music and Performing Arts, 5(2), pp. 39-44 DOI: 10.15640/ijmpa.v5n2a5 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a5 |
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Fixing Fussy Flute Faux Pas
La-Tika S. Douthit
International Journal of Music and Performing Arts, 5(2), pp. 45-46 DOI: 10.15640/ijmpa.v5n2a6 URL: http://dx.doi.org/10.15640/ijmpa.v5n2a6 |
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