Style and Performance of Bohuslav Martinů’s Deux Pièces pour Clavecin, H. 244: A Study of Twentieth-Century Harpsichord Music
Hanguang Wang, D. A
International Journal of Music and Performing Arts, Vol. 12, 2025
DOI: https://dx.doi.org/10.1080/ijmpa.v12p1
Reviewers:
Edna Holywell, University of London; ORCID iD: https://orcid.org/0000-0001-6851-0726; Email: [email protected].
Dr. Kostis Hassiotis, Department of Music Science and Art, University of Macedonia, Thessaloniki, Greece; Email: [email protected].
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Addressing Cipher Notation Issues in Guzheng Music: A Practice-Led Study of Manqin Zhao’s Notational Method
Qiongzi Zheng1, DMA; Neal Peres Da Costa1, PhD; and Lewis Cornwell
International Journal of Music and Performing Arts, Vol. 12, 2025
DOI: https://dx.doi.org/10.1080/ijmpa.v12p2
Reviewers:
Opted for Confidentiality
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Redefining Remote Collaboration: Innovative Audio Techniques and Technology in Modern Studio Production
John Hebbeler1 and Chris Vrenna
International Journal of Music and Performing Arts, Vol. 12, 2025
DOI: https://dx.doi.org/10.1080/ijmpa.v12p3
Reviewers:
Opted for Confidentiality
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The Additional Demands on the Musical Theatre Performer and Potential Links to Increased Laryngeal Tension: A Rapid Review
Claire Thomas, Jill Alexander
International Journal of Music and Performing Arts, Vol. 12, 2025
DOI: https://dx.doi.org/10.15640/jmpa.v12p4
Reviewers:
Dr. Edna Holywell, University of London, United Kingdom; ORCID iD: https://orcid.org/0000-0001-6851-0726; Email:
[email protected]
Dr. ‘Mudia Igbi, University of Africa, Toru Orua, Nigeria; Email: [email protected]
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