Volume 2, Issue 2
December 2014

The Western Influences on Early Twentieth Century Chinese School Song Zhao Xiaoyang International Journal of Music and Performing Arts, 2(2), pp. 01-10
DOI: 10.15640/ijmpa.v2n2a1      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a1
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Experimental Music and Communicative Action Stephen T. Miles International Journal of Music and Performing Arts, 2(2), pp. 11-40
DOI: 10.15640/ijmpa.v2n2a2      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a2
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17c Social Hierarchy and Character Interpretation in the Country Wife Andrew Vorder Bruegge International Journal of Music and Performing Arts, 2(2), pp. 41-52
DOI: 10.15640/ijmpa.v2n2a3      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a3
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Creative Composition and the Indigenous Knowledge System in Ghana: Models from the Life and Compositions of Nana Afua Abasa Timothy E. Andoh, Joshua A. Amuah International Journal of Music and Performing Arts, 2(2), pp. 53-69
DOI: 10.15640/ijmpa.v2n2a4      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a4
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Image and Memory as Stimuli for Better Assimilation and Expressivity in the Movement Realization Jéssica Cristina da Silva, Mariana Baruco Machado Andraus International Journal of Music and Performing Arts, 2(2), pp. 71-90
DOI: 10.15640/ijmpa.v2n2a5      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a5
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The Critical Edition Process of the first Brazilian Concerto for Percussion and Orchestra Prof. Dr. Fernando Hashimoto International Journal of Music and Performing Arts, 2(2), pp. 91-110
DOI: 10.15640/ijmpa.v2n2a6      URL: http://dx.doi.org/10.15640/ijmpa.v2n2a6
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